Refinement: Chris the Author

Some of you know the story: I wrote my first “novel” when I was 15. 118,000 words, most of it just a jumble of Star Wars and Final Fantasy 7.

When I think about why I did it, I can never come up with a conclusive answer. I think saying “I was compelled” or “I had to do it” feels a little disingenuous, since it makes it sound like a mystical calling. But the reality is, I didn’t have a reason to do it other than I wanted to. Took me about 9 months.

I started writing in earnest in 2007. I had some query interests in 2009 and 2010. In 2011 I was fired from my publishing job and ended up going back to school for teaching. I didn’t do a lot of writing post 2012, which was my first (and most difficult) year of working in education and the year my son was born.

I stopped writing for a while, figuring I didn’t have the time or energy anymore. I started the podcast in 2014…or 2015, I can never remember (and the date on the podcasts are wrong because it changed when we moved servers.) In 2018, a student of mine read my novel and was angry at me that I had stopped writing and demanded i resume. I wrote what would be the first draft of Heart and Soul Fist in March of 2018 in about 30 days flat, though it would take much longer to rewrite and revise it to where it is today.

In 2020, I published Heart and Soul Fist, I wrote I Summoned a Ghost to be My Girlfriend. I wrote Spirits of Summer after that and published it in 2021.

I’ve joined classes, read newsletters, subscribed to communities. I’ve paid a lot of money to people to get my writing analyzed, critiqued, and improved.

I’ve written millions of words.

I obviously like doing it.

So why does the idea of “being an author” make me uncomfortable?

Earlier this year, I read a book about Self-Publishing for Money. I’ve read like three of them, so I can’t remember which one I’m thinking of right now. It honestly doesn’t matter, the content of all these books is basically the same.

In order to be commercially successful, you have to write what sells, not necessarily write what you want.

Of course, there’s a compromise in there. You can write things you want to write in an area that sells and have the best of both worlds. Then, the advice goes, you can write that weird thing you wanted to write once your audience is established.

This advice always gets me tied up because while I love Heart and Soul Fist and the characters and world and the stories, I know it’s “too weird” to ever hit commercial success in a way that I would want to. It no longer fits in the current YA mold, and honestly I think post-COVID the story feels…disconnected. Like the story is out of time and old. Irrelevant.

So maybe I should drop it. Or at least, postpone it.

This then rubs against the advice that you should finish a series. But do you finish a series that isn’t commercially viable? Isn’t that just sunken time when I could be writing something else that would bring me closer to the dream of “professional creative”?

Maybe all of this is just fear. Fear that if I try to write something that fits more clearly into genre conventions that it’ll fail, and then I won’t have an excuse as to why I couldn’t make a career. I would just be a bad writer who has spent 23 years thinking he was better than he was.

I’m working on something more genre-convention. It’s very Mandalorian-inspired, with a touch of Elden Ring. it’s basically the story of a Knight slaying dragons - both literal and figurative. I’m currently using EVERY SINGLE TOOL I know to prep it.

I think I just have to do it. I have to try and write it and see what happens when I do.

What do you think?

Refinement and the wisdom of Qui-Gon

During one of my recent day-job trainings, there was this quote about stating a mission that’s really clung onto me. The gist of it is that you need to repeat what your mission over and over in order to refine it and make it clear to yourself and to everyone else.

I guess it’s kind of a less “woo woo” way of thinking about “manifesting” something in the universe. If you’re at all familiar with the concept of “The Secret,” apparently you’re supposed to just “put what you want out there” and the resonance of the universe somehow materializes a million dollars or something. I don’t put any faith behind that idea, but I do think that there’s truth in the idea that what you’re concentrating on is going to cause you to achieve goals because…well, you’re concentrating on them.

I think this can be best summarized by my favorite bit of “Star Wars wisdom” which comes from a throwaway line in Episode I: The Phantom Menace when Qui-Gon says to Obi-Wan “your focus determines your reality.”

This post feels a little rambly, but what I’m trying to get at is that I need to start refining what the mission of my creative “career” is. What I do right now is really fun - just doing whatever the heck I feel like whenever I want to. But in reality, it’s not going to generate any more money or influence. Not that anyone reading this needs to always feel like their creative works or journey should be in that constant elusive pursuit of “professionalism” but…I can’t let it go. I’ve tried, but I can’t.

So if I can’t let it go, then I should try to take it a little more seriously. I have the skills, but I don’t have “the mission” which determines the focus. I once wrote a Medium article saying that my mission was “writing positive things for teens” or something, but I don’t think I’m there, anymore. I think COVID took that out of me, though I’m not sure why (something worth thinking about, I suppose.)

So…who do I want to create for? And why? What benefit is it to the world?

Recovery sleep

I've been going to my parents cabin in Utah for most of my summers most of my life. Now that I have kids of my own, they kindly let us use the place for a week.

There are a lot of things “magical” about being up here, but one is the quality of sleep. I don't know what it is - maybe just the mountain air - but after a few days I feel this layer of exhaustion lift off me.

It's also wonderfully beautiful. As a kid/teen, it was like being in a Star Wars movie (driving through a Tatooine-like desert and then staying in an Endor-like forest.) It's no wonder that I did so much writing up here.

Mighty Pirate

Been playing Tales of Monkey Island with my kids (mostly with my second son, who seems to have the fondest appreciation of it) and I forgot how fun it was. Because it’s been such a fun experience, I’ve been trying to figure out if Curse of Monkey Island is available - as that was the first one I played and made me fall in love with the series.

What I wasn’t expecting was that Curse is apparently a source of drama!

I didn’t play the first two games, but apparently Monkey Island 2 implied that none of it was real and that it was just Guybrush making it all up in his head. This was apparently a shocker of a twist and left everyone going WHOOOAH.

And then Curse backtracked on that and apparently made people mad.

The longer I live, the more I see the adage “fans ruin everything” be more and more true.

MCU Journalism

I tweeted yesterday that “MCU Journalism” clickbait is a pretty obvious formula. It’s [ACTOR] + [FAN FICTION THEORY]. Bonus points for using actors that have left their roles or mentioning the comics.

So here’s my attempt. If any of you film blogs wanna hire me, hit me up.

(Note: My first version was going to be about how the rumored to put Japanese Spider-Man into future Spider-Man crossovers BUT APPARENTLY THEY ARE ACTUALLY DOING THAT SO I GUESS I’M NOT THAT CRAZY?)

RUMORS HEATING UP ABOUT CHRIS EVANS RETURN TO MCU.

While the former First Avenger star has been adamant that he will not be returning to the role of Captain America - stating in a recent tweet that “Sam WIlson is Captain America” - Evans has remarked that he misses working with the MCU team.

Is he hinting at a possible return to the MCU, not as Captain America, or even Steve Rogers, but as JOHNNY STORM?

In the recent MCU installment of Doctor Strange and the Multiverse of Madness, we were treated to the first MCU appearance of the Fantastic Four with Reed Richards’s appearance, so we know that the MCU people have at least been THINKING about the iconic superhero team, which has been weighed down by a series of mishandled flops in its cinematic past. So it’s possible that even if the main timeline of the MCU is missing the 4, we could see members of the 4 from other multiverses.

On top of that, we also know from Spider-Man: No Way Home that the MCU has no problem with having various versions of characters be played by other actors (when we saw the multiple Spideys). Obviously that was in part an homage to beloved movies of the past, but we know that the Fantastic 4 (and in particular, Evans’s Human Torch) have their own cult following that Disney can cash in on.

So is this just wild speculation, or is there some truth to this? I’ll leave you with this: in Spider-Man: No Way Home, the heroes are fighting on an updated Statue of Liberty that is carrying Captain America’s shield. And what happens to it?

It’s transformed from Goblin’s explosions. Bathed in fire to become something new, and yet something recognizable.

We’ll just have to see if Evans will light up the screen in the MCU once more.

Edit: Right before I was going to post this, I wondered if someone had written this article already, and they totally had. Seriously guys, hire me for your MCU theory nonsense. I can do this all day.

The New School is Old School

You guys remember the 00s, when blogging was like, THE THING to do?

Well, we’re doing it now.

It’s pretty old advice that creators shouldn’t become overly reliant on other platforms, but I didn’t really start to think about it until the Twitter debacles. It made me re-evaluate how much I was using twitter - and how much I was actually “using it.” I mean, I did a LOT of mindless scrolling, but actual posting? And was that actual posting helping? It didn’t seem like I was reaching anyone NEW with Twitter, and the people I was already connected with weren’t getting any meaningful communication.

So we’re going old school. I’m going to be using the website and the blog to send more updates and talk about stuff. Ironically, I will probably also post links on Twitter as well. Can’t quit the bird ENTIRELY!

ALSO, this blog has COMMENTS. Please comment!

Right now I’m in the middle of production for the SUMMER SIDE STORIES. The one for Maharo III dropped yesterday and I’m extremely pleased with it. There’s a spot where Maharo yells “Yoooooouth” for a long time while the other guy talks under his breath, but I didn’t say “yooouth” long enough so I had to sound-hack it to extend it and it sounds pretty seamless!

The Summer Side Stories are by necessity - I had to travel two weeks in June for work and then I have two weeks in July coming up for vacation travel. Matt is also busy, so we only have one recording scheduled for July. But I’m actually glad they’re happening, it’s been fun to write and make them and it’s helping me get ready for Season 5.

And yes, I’m already thinking about Season 5. I have the basic concept done already, and yes it’ll be back in Star Wars. I think. I haven’t actually talked to Matt about it.

Speaking of Star Wars, I’m also outlining a new book (Jane 3 is kind of stalled and I think I need to take a step back from it) that’s heavily influenced from the Mandalorian/Book of Boba Fett. I am also halfway done recording a really interesting “dark” Star Wars audiodrama story for the Patreon.

So all in all, I’m happy to have a little time off to get some work done on projects.

See ya tomorrow!

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Updates to the Patreon, Starting August, 2020

Sil Zero Media Patreon Tiers, 2020

$1 Monthly - Thanks! - We appreciate your support for making the show! Every dollar helps keep production moving forward and equipment up to date. 

$5 Monthly Options: Get extra audio content! See what package and content works best for you, or select the EVERYTHING PACKAGE to get it all! 

Audiodrama Package: Get access to the audiodrama DROIDHEAD, a story about a Jedi solving small problems on a planet in a galaxy far far away. Also gives access to any additional audiodramas. 

Author Chris Package: If you’re a fan of Chris’s book HEART AND SOUL FIST, this is the package for you. Get updates to the sequel to HEART AND SOUL FIST and various short stories (both written and audio versions) that Chris writes. Also included in this package will be the audiobook version of HEART AND SOUL FIST and the follow up shorts stories WHEN THE DUST SETTLED. 

Behind the Scenes Package: Access to SIL ZERO REWIND, a series of podcasts where Chris, Matt, and sometimes special guests re-listen to Silhouette Zero from the beginning and talk about how the episodes were made. This also gives access to CHIT CHAT WITH CHRIS AND MATT, GM notes, and any HOW TO podcasts that Chris makes on podcast production, GMing, or writing.

Everything Package: Get all of the above packages for $5 a month! 

$2 Per Post Options: Select any of the above packages, but pay per post. You only pay when new content is posted. 

Why your support of HEART AND SOUL FIST is a dream come true.

Lately I’ve been tweeting about HEART AND SOUL FIST and that it would mean a lot to me if people read it and spread the word. 

Then I realized I haven’t told you WHY it would mean a lot to me.

So I will now.  I wrote my first book when I was 15.

It was one part boredom, one part just to see if I could, one part AOL. I had a great 10th grade English teacher who gave us these assignments where we rewrote short stories with our own take on it. I found I really liked doing it. 

We also had just gotten the internet, good ol’ dial-up AOL, and I was playing in role playing chat rooms. Star Wars at first, then generic fantasy. 

I remember (sorta) the day I decided to do it. I IMed my friend (she lived in Minnesota? Michigan?) (her name was...Lauren?) and told her I was gonna write a novel. 

“Why?” 

“I don’t know.”

--

It was called THE SCROLLS OF ANUHO. Anuho comes from “A New Hope,” because Star Wars was a lot of inspiration (read: most of the major concepts) for the story. The “scrolls” didn’t make sense as there were no scrolls in the story. 

It was Star Wars mashed together with Final Fantasy 7, basically. It was between 80,000 and 100,000 words and took me 9 months to do, start to finish. 

That was a pretty big deal for a 15 year old. I mean, there are 15 year olds who get published and start a career, which I definitely wasn’t going to do with my mostly-plagiarized pile of words, but it felt pretty important. My mom read through the whole thing and marked up feedback notes on it (I still have that). 

I didn’t try to get it published or anything, but I did start working on the sequel. 

After that, writing was a major hobby for me. I did it all the time. I started doing fanfiction (shout out to my lost 75K word Gundam Wing fanfic), I plotted out a whole 9 book series for the Scrolls of Anuho, and kept doing online RPing. 

But I had no goals of professional writing. I was going to be a MUSICIAN. 

Yes, I have a Bachelor’s Degree in Jazz Studies, Saxophone. Because nothing says “bright career in the arts” like studying a mostly-dead art form. But I was a child of the 90s, and the future was ours for the taking, and so I just went with it. 

I learned a lot from that time, but ultimately it didn’t work. 

My writing skills helped me get through college easily, though. When you’ve written a novel (and like a dozen half-finished novels), 10 pages isn’t that long. 

Let’s cut forward a bit. 2007. Newly married, and with me having decided that music wasn’t going to ever work out, I knew that I had to do something creative, or I would feel...wrong. I hadn’t done enough creative work in the previous two years, and I could tell it was preventing me from being my full “me.” 

One of the lessons I learned from music was that I wasn’t a die-hard musician. I could give it up. I wasn’t like other people I knew that had to being playing all the time, or they felt lost. I lacked that super-passion

But writing...well, I did it all the time, just for the love of doing it. 

So maybe that would have enough passion to drive me forward. 

And thus, I had a new goal: become a published, professional author. 

--

These were my Bitter Work years. 

From music, I knew that to succeed I needed tremendous amounts of practice and training. I had mostly written from gut up to that point. 

I read every blog and newsletter on writing. 

I worked on novels. 

I joined an RP play-by-post board, just to give myself a place to work on sheer output. 

I did writing challenges. I experimented. I played with form and genre. 

I read somewhere that an author isn’t ready to be published until they had written at least a million words. 

I wrote a million words a year for four years.

I worked through my pain of failing as a musician. 

I made friends. 

I wrote and wrote and wrote and wrote. 

--

I submitted my first manuscript for an agent in 2008. I had one agent interested for a little bit, but she ultimately dropped it. 

I submitted my second manuscript for an agent in 2009. Same story, one interested agent, then dropped. 

But it told me I had talent. It told me that maybe I could get somewhere.

Life kept going on in the background. Recession hit, my job was a dead end. We wanted kids, and we wanted my wife to stay home with them. I needed a viable career. 

I studied a year at UCLA to get paralegal training. I have never used it.

In 2010 I was fired from that dead-end job. 

I can’t remember how many novels I wrote between 2007 and 2011. I think I lost some, and every time I try to count, I come up with a different number. Plus, some I wrote, then completely rewrote, so do you count that as a separate novel? 

In any case, the number is between 8 and 12. 

But no job, no prospects of getting a better one in that industry, so I had to retrain. I got my teaching credential. I found a lot of success there. I felt like I was born to do that, as well. 

I finished the last novel of my Bitter Work years, called “Guardian” back then, in 2011, just as I was finishing my teaching credential.

I remember the cheap coffee I drank. I remember writing 5 chapters that night, some 15,000 words, just to get it done.

That was the last novel I wrote for a long while. 

--

I didn’t plan on giving up, honestly. 2012, I moved, got my first teaching job, and my first son was born. I didn’t want to be that dad who gave up his dreams, so I started investigating alternate forms of writing that might speed up my process along.

Thankfully, for those of you who like my podcast, this is where I discovered tabletop RPGs. 

--

I switched schools in 2013. Longer commute, but better environment. My online RPing was dwindling away, my practice writing was taken up with creating lesson plans and grading papers. 

Matt and I played our first tabletop RPG I think around 2014, right around when my second son was born.

--

You know this part of the story. 

“Let’s do a podcast.” 

“No.”

“Please?”

“Fine, but I’m not doing any work.” 

--

So I didn’t write much during the first two years of the show. I was happy with teaching, and the show was a fun and interesting creative outlet. I was still telling stories, so who cared if I wasn’t a novelist, right? 

...right?

I still outlined novels in notebooks, btw. I still thought maybe I’d get back to it. I looked at online classes. Joined a Camp NaNoWriMo. But I never stuck through it.

I started to think maybe that those bitter work years were a young man’s game. I was in my 30s now, and I had two kids, with one more on the way. 

So why couldn’t I stop trying…? 

--

2017 I got my master’s degree in school administration. I still don’t know why. Part of me just wanted to see if I could.  (Sound familiar?)

In fall of 2017, I left the classroom full-time to be an instructional coach. I hated it, at first. I felt like I made a mistake. I missed the kids, I felt like I had no purpose. It was spreadsheets and report writing. 

But a student saved me. 

She had a free 5th period, so she would drop by, and we talked about books and writing. She wanted to be a writer. 

I always kept my novel writing a secret from my students. Insecurity, I guess. 

One day, out of the blue, she said “I feel like you should write a novel.” 

“...I already have.” 

--

She read the second one that almost got an agent, the 209 DETECTIVE AGENCY. 

“I can’t believe you wrote this.” 

“Thanks.”

“Why did you stop?” 

--

I didn’t know how to answer her, so I went to re-read my old writing. I re-read Guardian, the last book I wrote in 2011. 

It was kinda bad. There were too many weird anime-isms. The main character was kind of a dolt. There was one too many plotlines. 

But...that character, Jane. I really liked her. 

What if I made it about her?

I rewrote the Guardian as the first draft of HEART AND SOUL FIST in 27 days. March, 2018. 

HEART AND SOUL FIST, though, wasn’t fully published until March 2020, so you’ll wonder what happened during those two years. 

It had been 7 years since I had studied the publishing industry. I had to re-learn how things worked, and what the industry landscape was like. 

I also still lacked some confidence. I sunk a bunch of money into writing lessons with a professional, and getting it edited by a professional editor who had published similar books. 

It took spending over $1,000 for me to realize I was good enough as a writer. 

--

Then it was just...more bitter work.

Rewrites. Edits. Smoothing. Smoothing again. Rewriting again. More smoothing.

Learning how to publish. 

Then fighting the other battles in my life. Child 4. The school war I fought during the beginning of 2019 that took up almost my whole spring semester. 

Getting a new job. 

But I never stopped. I just kept going, little by little, piece by piece, until I had put all the mechanisms in place. 

And I did it.

HEART AND SOUL FIST isn’t the best book ever written. It probably won’t be the best book I’ll ever write. 

But it is the result of 20 years of fighting. It is the first major step towards making those dreams be a reality. 

I’ll be upfront: sales aren’t great. They’re a steady trickle. It’ll be a long time before I even make back the investment I put in. 

But that’s okay. It’s still means people are reading my work, and hopefully enjoying it. 

So when I say to you I am grateful for all your support, for reading it or suggesting it to a friend or just retweeting stuff...I mean it. 

It is a gratitude built from 20 years of work. 

--

Thank you. 

Even if you don’t read the book, or promote it, thank you for listening to the show.

Or...just being my friend or thinking I’m interesting enough to follow on social media. 

Nothing happens without you.