The Archives are Incomplete

I've wrote a blog post while on vacation #2 a couple of days ago. It was a good post, talking about the creative things I was thinking about and struggling with before I left on the trip.

I also wrote it in the squarespace app, which while I like the interface, is clearly not designed for users who have children interrupting them every twelve seconds (and therefore you have to put your phone down and pick it back up over and over).

So I lost the post.

I was so irked by it that I decided to not bother until my trip was over, since it was all a massive waste of time.

But then the next day, I had a major ephihany that cleared up several questions I had written about in the blog post.

That's the irony of trying this constant blogging, especially when I write about the things I'm struggling with. The blogging itself clearly helped with figuring out the problem. But putting it all out there makes me look... I dunno, wishy-washy? Fickle? I spend all this time saying I'm thinking or doing one thing, and then because of that I change my mind. If I don't say anything, then it looks like I have a plan all the time.

But that isn't really the truth, is it? So I suppose it's probably better to be open about the entire process rather than perpetuate the myth that all creators and writers always know what they're doing all the time.

Anyway, heading home today. Had a great trip, but the day job starts up again tomorrow. Still, I'm encouraged and rested about the future.

Refinement: Chris the Author

Some of you know the story: I wrote my first “novel” when I was 15. 118,000 words, most of it just a jumble of Star Wars and Final Fantasy 7.

When I think about why I did it, I can never come up with a conclusive answer. I think saying “I was compelled” or “I had to do it” feels a little disingenuous, since it makes it sound like a mystical calling. But the reality is, I didn’t have a reason to do it other than I wanted to. Took me about 9 months.

I started writing in earnest in 2007. I had some query interests in 2009 and 2010. In 2011 I was fired from my publishing job and ended up going back to school for teaching. I didn’t do a lot of writing post 2012, which was my first (and most difficult) year of working in education and the year my son was born.

I stopped writing for a while, figuring I didn’t have the time or energy anymore. I started the podcast in 2014…or 2015, I can never remember (and the date on the podcasts are wrong because it changed when we moved servers.) In 2018, a student of mine read my novel and was angry at me that I had stopped writing and demanded i resume. I wrote what would be the first draft of Heart and Soul Fist in March of 2018 in about 30 days flat, though it would take much longer to rewrite and revise it to where it is today.

In 2020, I published Heart and Soul Fist, I wrote I Summoned a Ghost to be My Girlfriend. I wrote Spirits of Summer after that and published it in 2021.

I’ve joined classes, read newsletters, subscribed to communities. I’ve paid a lot of money to people to get my writing analyzed, critiqued, and improved.

I’ve written millions of words.

I obviously like doing it.

So why does the idea of “being an author” make me uncomfortable?

Earlier this year, I read a book about Self-Publishing for Money. I’ve read like three of them, so I can’t remember which one I’m thinking of right now. It honestly doesn’t matter, the content of all these books is basically the same.

In order to be commercially successful, you have to write what sells, not necessarily write what you want.

Of course, there’s a compromise in there. You can write things you want to write in an area that sells and have the best of both worlds. Then, the advice goes, you can write that weird thing you wanted to write once your audience is established.

This advice always gets me tied up because while I love Heart and Soul Fist and the characters and world and the stories, I know it’s “too weird” to ever hit commercial success in a way that I would want to. It no longer fits in the current YA mold, and honestly I think post-COVID the story feels…disconnected. Like the story is out of time and old. Irrelevant.

So maybe I should drop it. Or at least, postpone it.

This then rubs against the advice that you should finish a series. But do you finish a series that isn’t commercially viable? Isn’t that just sunken time when I could be writing something else that would bring me closer to the dream of “professional creative”?

Maybe all of this is just fear. Fear that if I try to write something that fits more clearly into genre conventions that it’ll fail, and then I won’t have an excuse as to why I couldn’t make a career. I would just be a bad writer who has spent 23 years thinking he was better than he was.

I’m working on something more genre-convention. It’s very Mandalorian-inspired, with a touch of Elden Ring. it’s basically the story of a Knight slaying dragons - both literal and figurative. I’m currently using EVERY SINGLE TOOL I know to prep it.

I think I just have to do it. I have to try and write it and see what happens when I do.

What do you think?

Refinement and the wisdom of Qui-Gon

During one of my recent day-job trainings, there was this quote about stating a mission that’s really clung onto me. The gist of it is that you need to repeat what your mission over and over in order to refine it and make it clear to yourself and to everyone else.

I guess it’s kind of a less “woo woo” way of thinking about “manifesting” something in the universe. If you’re at all familiar with the concept of “The Secret,” apparently you’re supposed to just “put what you want out there” and the resonance of the universe somehow materializes a million dollars or something. I don’t put any faith behind that idea, but I do think that there’s truth in the idea that what you’re concentrating on is going to cause you to achieve goals because…well, you’re concentrating on them.

I think this can be best summarized by my favorite bit of “Star Wars wisdom” which comes from a throwaway line in Episode I: The Phantom Menace when Qui-Gon says to Obi-Wan “your focus determines your reality.”

This post feels a little rambly, but what I’m trying to get at is that I need to start refining what the mission of my creative “career” is. What I do right now is really fun - just doing whatever the heck I feel like whenever I want to. But in reality, it’s not going to generate any more money or influence. Not that anyone reading this needs to always feel like their creative works or journey should be in that constant elusive pursuit of “professionalism” but…I can’t let it go. I’ve tried, but I can’t.

So if I can’t let it go, then I should try to take it a little more seriously. I have the skills, but I don’t have “the mission” which determines the focus. I once wrote a Medium article saying that my mission was “writing positive things for teens” or something, but I don’t think I’m there, anymore. I think COVID took that out of me, though I’m not sure why (something worth thinking about, I suppose.)

So…who do I want to create for? And why? What benefit is it to the world?

Recovery sleep

I've been going to my parents cabin in Utah for most of my summers most of my life. Now that I have kids of my own, they kindly let us use the place for a week.

There are a lot of things “magical” about being up here, but one is the quality of sleep. I don't know what it is - maybe just the mountain air - but after a few days I feel this layer of exhaustion lift off me.

It's also wonderfully beautiful. As a kid/teen, it was like being in a Star Wars movie (driving through a Tatooine-like desert and then staying in an Endor-like forest.) It's no wonder that I did so much writing up here.

Mighty Pirate

Been playing Tales of Monkey Island with my kids (mostly with my second son, who seems to have the fondest appreciation of it) and I forgot how fun it was. Because it’s been such a fun experience, I’ve been trying to figure out if Curse of Monkey Island is available - as that was the first one I played and made me fall in love with the series.

What I wasn’t expecting was that Curse is apparently a source of drama!

I didn’t play the first two games, but apparently Monkey Island 2 implied that none of it was real and that it was just Guybrush making it all up in his head. This was apparently a shocker of a twist and left everyone going WHOOOAH.

And then Curse backtracked on that and apparently made people mad.

The longer I live, the more I see the adage “fans ruin everything” be more and more true.

MCU Journalism

I tweeted yesterday that “MCU Journalism” clickbait is a pretty obvious formula. It’s [ACTOR] + [FAN FICTION THEORY]. Bonus points for using actors that have left their roles or mentioning the comics.

So here’s my attempt. If any of you film blogs wanna hire me, hit me up.

(Note: My first version was going to be about how the rumored to put Japanese Spider-Man into future Spider-Man crossovers BUT APPARENTLY THEY ARE ACTUALLY DOING THAT SO I GUESS I’M NOT THAT CRAZY?)

RUMORS HEATING UP ABOUT CHRIS EVANS RETURN TO MCU.

While the former First Avenger star has been adamant that he will not be returning to the role of Captain America - stating in a recent tweet that “Sam WIlson is Captain America” - Evans has remarked that he misses working with the MCU team.

Is he hinting at a possible return to the MCU, not as Captain America, or even Steve Rogers, but as JOHNNY STORM?

In the recent MCU installment of Doctor Strange and the Multiverse of Madness, we were treated to the first MCU appearance of the Fantastic Four with Reed Richards’s appearance, so we know that the MCU people have at least been THINKING about the iconic superhero team, which has been weighed down by a series of mishandled flops in its cinematic past. So it’s possible that even if the main timeline of the MCU is missing the 4, we could see members of the 4 from other multiverses.

On top of that, we also know from Spider-Man: No Way Home that the MCU has no problem with having various versions of characters be played by other actors (when we saw the multiple Spideys). Obviously that was in part an homage to beloved movies of the past, but we know that the Fantastic 4 (and in particular, Evans’s Human Torch) have their own cult following that Disney can cash in on.

So is this just wild speculation, or is there some truth to this? I’ll leave you with this: in Spider-Man: No Way Home, the heroes are fighting on an updated Statue of Liberty that is carrying Captain America’s shield. And what happens to it?

It’s transformed from Goblin’s explosions. Bathed in fire to become something new, and yet something recognizable.

We’ll just have to see if Evans will light up the screen in the MCU once more.

Edit: Right before I was going to post this, I wondered if someone had written this article already, and they totally had. Seriously guys, hire me for your MCU theory nonsense. I can do this all day.

The New School is Old School

You guys remember the 00s, when blogging was like, THE THING to do?

Well, we’re doing it now.

It’s pretty old advice that creators shouldn’t become overly reliant on other platforms, but I didn’t really start to think about it until the Twitter debacles. It made me re-evaluate how much I was using twitter - and how much I was actually “using it.” I mean, I did a LOT of mindless scrolling, but actual posting? And was that actual posting helping? It didn’t seem like I was reaching anyone NEW with Twitter, and the people I was already connected with weren’t getting any meaningful communication.

So we’re going old school. I’m going to be using the website and the blog to send more updates and talk about stuff. Ironically, I will probably also post links on Twitter as well. Can’t quit the bird ENTIRELY!

ALSO, this blog has COMMENTS. Please comment!

Right now I’m in the middle of production for the SUMMER SIDE STORIES. The one for Maharo III dropped yesterday and I’m extremely pleased with it. There’s a spot where Maharo yells “Yoooooouth” for a long time while the other guy talks under his breath, but I didn’t say “yooouth” long enough so I had to sound-hack it to extend it and it sounds pretty seamless!

The Summer Side Stories are by necessity - I had to travel two weeks in June for work and then I have two weeks in July coming up for vacation travel. Matt is also busy, so we only have one recording scheduled for July. But I’m actually glad they’re happening, it’s been fun to write and make them and it’s helping me get ready for Season 5.

And yes, I’m already thinking about Season 5. I have the basic concept done already, and yes it’ll be back in Star Wars. I think. I haven’t actually talked to Matt about it.

Speaking of Star Wars, I’m also outlining a new book (Jane 3 is kind of stalled and I think I need to take a step back from it) that’s heavily influenced from the Mandalorian/Book of Boba Fett. I am also halfway done recording a really interesting “dark” Star Wars audiodrama story for the Patreon.

So all in all, I’m happy to have a little time off to get some work done on projects.

See ya tomorrow!

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Updates to the Patreon, Starting August, 2020

Sil Zero Media Patreon Tiers, 2020

$1 Monthly - Thanks! - We appreciate your support for making the show! Every dollar helps keep production moving forward and equipment up to date. 

$5 Monthly Options: Get extra audio content! See what package and content works best for you, or select the EVERYTHING PACKAGE to get it all! 

Audiodrama Package: Get access to the audiodrama DROIDHEAD, a story about a Jedi solving small problems on a planet in a galaxy far far away. Also gives access to any additional audiodramas. 

Author Chris Package: If you’re a fan of Chris’s book HEART AND SOUL FIST, this is the package for you. Get updates to the sequel to HEART AND SOUL FIST and various short stories (both written and audio versions) that Chris writes. Also included in this package will be the audiobook version of HEART AND SOUL FIST and the follow up shorts stories WHEN THE DUST SETTLED. 

Behind the Scenes Package: Access to SIL ZERO REWIND, a series of podcasts where Chris, Matt, and sometimes special guests re-listen to Silhouette Zero from the beginning and talk about how the episodes were made. This also gives access to CHIT CHAT WITH CHRIS AND MATT, GM notes, and any HOW TO podcasts that Chris makes on podcast production, GMing, or writing.

Everything Package: Get all of the above packages for $5 a month! 

$2 Per Post Options: Select any of the above packages, but pay per post. You only pay when new content is posted.